
Tri-Sine, Noise Siren, Flub Filter.
NIME.
Pandemonium Trio demo 2018.
DIY EMI / A / V / Noise
I don’t recommend social media.

INTERZONE @ Catalyst Arts, Belfast
24th May – 5th July 2018
Barry Cullen | Jonny McEwen | Una Monaghan | Saul Rayson | Susannah Stark
Interzone brings together a group of internationally prominent and emergent artists whose approaches to their individual art practices embrace sound, installation and visual components. The project is a six week conversation, the gallery re-imagined as liminal land between borders, playing host to a sustained exploration of the multi-faceted, complex, mutually invigorating relationships possible across visual and sonic art practices and rejecting outmoded separation between disciplines within contemporary art. Codes, glitches and loops permeate the assembled constituents of the exhibition, instigating a shifting inter-connection between what is seen and heard. The title references both the International Zone setting of William S Burroughs taboo breaking 1959 novel Naked Lunch and the mysterious, dreamlike “Zone” in Andrei Tarkovsky’s 1979 film Stalker.
Interzone will be complemented by a series of live Sonic Art performances on the opening night and to coincide with June and July Late Night Art Belfast.
Studio excerpt of digital elements used in performance 190418.

Thursday 19 April
Accidental Theatre (12-13 Shaftsbury Sq)
5.30pm – late
6pm – Federico Visi: SloMo Study #1
10’00” EMG/IMU sensor armbands, laptop, stroboscopic lights
6.30pm – Saul Rayson: The Solace of None
20’00” snare drum (Saul Rayson) and electronics
7.10pm – Jon Kipps and Stuart Bowditch: Fogou
20’00” sculpture and electronics
7.50pm – Steph Horak, Miguel Ortiz and Anna Weisling: HOW/WHO/OWH
20’00” audiovisual free improvisation
8.30pm – Rob Bentall: Music for Nyckelharpa + Electronics
22’00” nyckelharpa and 2ch fixed media
9.10pm – Barry Cullen: Amorphous Patches
20’00” Live generative/reactive audio visual work using DIY electronics
10pm – Angela Wai Nok Hui & Yi Ling Wo: ManiMani#2
25’00” installation and live performance