Tag: 2019
Chromadots – Goldem
The latest TONEBURST release is now available.
https://toneburst.bandcamp.com/
<kat no.6>
Goldem is an exploration of a minimal set-up, consisting of a DIY synth/sequencer & a percussion module, alternative sequencing techniques and tunings.
released December 6, 2019
Framework Radio #694 – recorded @ Belfast, Northern Ireland
Sound of a public park.Fallgatter – BCYT
The latest TONEBURST release is now available.
https://toneburst.bandcamp.com/
<kat no.5>
Video Sequencing Video
BCYT is a result of an audio/visual remix
experiment that involves using visuals from
videos to create midi information, which in
turn is used as a clock source and to
sequence sampled audio from the same
videos.
All source materials for this project were
taken from the Barry Cullen Video Archive.
credits
released November 8, 2019
Fringe Tones #22
Toneburst at Sunflower Bar 101119
Hadi Bastani
Fallgatter
ARC (Allen, Rayson, Cullen)
bjc – D&Dv2_Studies_v2
The latest TONEBURST release is now available.
https://toneburst.bandcamp.com/
<kat no. 4>
Studio improvisations
Cassette & drama instrument
Release 26 October 2019
The recordings are stereo. From instrument to mixer to hard drive. From hard drive to tape.
Each of the tracks were made using the Drone & Drama v2 + v1.5 instruments, Companion Boxes and DIY modular synth.
The recordings are selected from a pool of multi-track recordings made over the course of one working month. Each day improvised recordings were made adding layers until satisfactory results were created. These studio improvisations of around fifteen minutes were recorded according to the following guide to how to use the instrument.
Drone to drama & back again.
Drama to drone & back again.
After capturing the recordings two of the representations were selected for release. The recordings should be played back and played along with the drama instrument.
The instrument requires a 9 volt DC power source (2.1mm tip negative). This is not supplied in the box set.
The listener / audience ‘finishes’ a composition by giving it attention. Listening is a form of composition; deciding, discriminating. The inclusion of an instrument with this recording offers the audience another type of participation. This is to make available and explicit the active role people can have when deciding to spend time on music activities. The combination of media and artefacts draw attention to the lines between digital and online culture.
Contribute to the composition. Complete the work.
released October 26, 2019
bjc – D&Dv2_Studies_v2 promo
bjc – D&Dv2_Studies_v2
Released on TONEBURST 26 October 2019.
Launch event @ the343 (JD Zazie), Belfast.
JD Zazie @ the343 261019
After the Squeal & Scrape workshop at Framewerk Gallery Belfast, the participants will perform support for JD Zazie at the 343 as the Squeal and Scrape Orchestra.
Saturday 26 October. Doors 8pm. Tickets £7/5. BYOB. No Glass.
JD ZAZIE is an experimental DJ, avant-turntablist and sound artist living between Berlin and Bolzano.
Squeal & Scrape @ Framewerk 261019
The participants will build two items:
• a piezo transducer (contact mic)
• a small amplifier powered by 9v battery.
The sound produced is not clean; it’s dirty.
The circuit is not complex.
This workshop is suitable for beginners, with no previous electronic circuit making experience.
booking email – barryjoecullen@gmail.com
Location – Framewerk gallery & framing service.
When – Saturday 26th October 2019. 13:00-17:00.
Cost – £10
barry joseph cullen 