Three layers.
Video: Line Generators x2. Solid Colour.
Audio: Beats x2. Keys.
Parameters controlled by amplitude or 128BPM clock.
DIY EMI / A / V / Noise
Three layers.
Video: Line Generators x2. Solid Colour.
Audio: Beats x2. Keys.
Parameters controlled by amplitude or 128BPM clock.
Video: solid colours, line generators, feedback generators.
Audio: field recordings of crickets on a very hot (47 degrees centigrade) day in Wattayah, and the drone from a solar-powered DIY feedback oscillator.
Many animated parameters synched to a 30 bpm clock (elephant trivia).
Five layers.
Four channels.
Non-linear events all round.
Generative and reactive audio and video.
Source material: audio recording of chilled goods lorry.
Constantly shifting patch with reactive generators and prepared media.
3 channels. Treated saxophone recordings from ‘Horn Joy’ by BEW (2005).
Constantly shifting low audio drone with modulating reactive video.
6 channels. Treated saxophones from ‘Horn Joy’ by BEW (2005).
2 channels. Treated field recordings. Audio reactive line generators. Digital effects.
Excerpt from a patch generating modulating audio and visual grains.
Two layers. Loops, effects and generators. Some parameters are synched, some not.
Prepared media edited from audio-visual improvisation sessions.
(“incorrect” gain settings = most satisfying results…?)
Excerpt from a patch generating a flow of shifting audio visual noise.
Audio excerpts from analogue feedback from a soundlab DJ mixer no input.
Video generated from Resolume plugins. Some parameters audio-reactive.