VA – Tying up Loose Ends

The latest TONEBURST release is available.

https://toneburst.bandcamp.com/

The sailors make fast the loose ends to ensure the boat is shipshape.

“Tying Up Loose Ends” is a nautically themed project split into 2 segments. 
The first, titled “Noise Forecast”, is heavily inspired by BBC shipping forecasts, the rhythm of their delivery and the alien yet comprehensible language used within them. The compositional framework for this part of the project is a text-based score which was written in a way that aimed to allow each participant a unique translation. To further contrast the finished pieces, careful attention is made in approaching different artists with varying sonic palettes.

The score for this first installment of the project reads as follows:

“Culport;
Southern Bleakness. 8
Phront – Lofty, Stressure: NIL.
Bromide Sprinkles – Occasional.
Eudaimonia – Swindling, Tempestuous Nodes.
Torrential Data, Deluges: 37, Clustered.
Drainage: In Toto, Preparation Timely.”


The second project segment, titled “Flotsam, Jetsam, Lagan & Derelict”, is an exploration of how new life can be given to short pieces of sound that perhaps could get lost somewhere in a timeline. To achieve this, audio is salvaged from one person and recycled by another, although organised in such a way that ‘who is collaborating with who’ remains unknown. Artist and equipment information are intentionally removed as to hopefully have no influence over the finished works.
Guidelines for FJL&D are:
“SALVAGE You have received some salvaged audio from another participant involved. Use these sounds as a starting point.
RECYCLE
Please use both files, although they don’t have to be used in their entirety. One shot or single cycle samples are fine. You are free to edit & treat these in any way you see fit. Chop, Sample, Granularize & Mangle. Unrecognisable is good. Additional instrumentation is allowed and encouraged. This is not a remix project.
COLLABORATION
Audio discovered amongst your posts has been shared with another participant to carry out the same process.”
Loose Ends #1 is focused around the fictional land, and surrounding coast, of “Culport”. The tracklisting is as follows;


NOISE FORECAST

1. Claude & Ola – Culport

2. Sw1n Hunter – FOAM_DRIFT(2vids)

3. Shane Latimer – Deluges: Clustered

4. Una Lee – 1 fib or no

5. BJC – Torrential Data v4_2

6. Scy1e – Racing the dawn

7. Mysterioso – Unapproved Beliefs

8. Vivienne Griffin – The Fake Haven

9. Hadi Bastani – nines am(o)ur ai


FLOTSAM, JETSAM, LAGAN & DERELICT

1. T.Jervell – Fanfare of Spring (Initials M.C.)

2. sweetearthflying – prismatic wounds

3. Sqrtsigil – nontitle

4. Morn Valley – Solar Transmission

5. Expanding Foam – saxa vord

6. Wimming Spools – flotsum & jetsum

7. Disxiple 113 – fiesta, forever

8. Subfusc – Batons
With some sprinkles of sea sounds recorded by Matilde Meireles, Lisbon, 2020.
Many thanks to all who took part for their incredible work.Barry & Phil – Tone Burst

Chromadots – Lorrol

The latest TONEBURST release is now available.

https://toneburst.bandcamp.com/

<kat no.9>

A Study of Symmetry.

Lorrol is a collection of wanderings & sketches recorded in Munich, Germany between January and April 2020, primarily made using Lorre Mill instruments (LOR) and Sigil Instruments’ xRollz (ROL).
(xRollz is a wooden bananafied version of the Ellitone Instruments UltraRollz Farm-Detective which uses the Rolls & Ultrasound circuits by Ciat-Lonbarde/Peter Blasser.)

The Lorrol project was heavily inspired by Allieways’ Double Knot videos and her ideas of symmetrical patching & cross clocking techniques.

To continue the theme of symmetry throughout the project, palindromes were selected as track titles that best suited the overall sound and mood of each track. The idea of symmetry is also reflected through all of the artwork.

In total 42 tracks had been recorded over the 4 months. During a following period of reflection and listening some of these were combined to form something new, while some others were slightly edited and, with the aid of BJC, were curated into a collection of 18.

BJCs’ first listen track notes for the chosen 18 were as follows;

listening / sequencing notes BC 280620

(14) So Lost Solos – harmonium/reed drone fun – naive melody – folk lush, Side A opening track?
(9) Ton Tut Not – crunch klick intro drone – then bass melody rhythm bumps – then hi quick tumbles – hi crystal stereo lead vocal style synth
(17) So Many Dynamos – dusty intro – free jazz perk + dancing hi melody
(18dk) Tattarrattat – liquid noise / chords – fuzzy drone + twinkle – driven notes, resolves well
(13) Lorrol – TITLE track – melodic soundtrack – squelches high in the mix? lots of variation and shifts in the pulse – lovely pause before low-mid groan + more percussion
(1dk_29_3ni) Baue Neu Ab – slow build – surprising lump near end before delays
(12) Poppoppop – marbles / popcorn – baby shrimp playing in bumper cars, can be edited a little shorter?
(20) Rotator- shuffling dust – warm chord slow – arp frags – animated bleep/swoon
(2dk) Never Odd Or Even – glacial intro / squirts / stereo wide split / creeps flutters

———————————————————————————————

(16) Legovogel – grainy bed with fizz + beep –
(6_25_3dk) Kelek – dark ripper intro – switch to deft quirk beat, START SIDE B?
(27_23) If I Had A HiFi – dry splat per / slow drone build / morse + grind pitched
(10) Toot – mod drone + morse – confrontationally flat – hi noise melodic support compliment – unfinished?
(33) Radar – fuzz blast willow modulations / panic tension / HOT / abrupt end
(22) Murdrum – stereo swarm / juggle frag / tone blip / bell like vibes
(21) Nie Setzt Es Ein – warm wobble drone / ripklix / slopulses / note changes
(32_35_1) Don’t Nod – granular trickle / sad whale / screw pops / Kik SNARE snap / bass twizt / soft key arp dances +
knot mangles /
(4) KinnikKinnik – hi whizz to bounce per staccato / some close to DOOF, stereo synth work pleasing / soothes contrast to firm percussion – EurAsia folktronics – shepard song for the watcher of electric sheep

———————————————————————————————

Some keywords from unused tracks include: whine, rhythmic dissonance, agitated exchange, crispy derp, splurge, twisted melting glass burble, atonal dynamism, wooly howl, interference, surges & seasick swoon. 

credits

released August 14, 2020

bjc – D&Dv2_Studies_v1

The latest TONEBURST release is now available.

https://toneburst.bandcamp.com/

bjc - D&amp;Dv2_Studies_v1_cover

<kat no.3>

Studio improvisations.

The recordings are mono. From instrument to hard drive. From hard drive to tape. Each of the four tracks were made using the Drone & Drama v2 instrument. The recordings were selected from a pool of recordings made over the course of one working week. Each day (Monday to Friday) four recordings were made using the same guidelines. Four studio improvisations of around five minutes were recorded according to the following guide to how to use the instrument.

Drone to drama.
Drama to drone.
Drone to drama & back.
Drama to drone & back.

After capturing the recordings four of the representations were selected for release.

Cassette & sine instrument.

The recordings should be played back and played along with using the sine instrument. The listener / audience ‘finishes’ a composition by giving it attention. Listening is a form of composition; deciding, discriminating. The inclusion of an instrument with this recording offers another type of participation to the audience. This is to make available and explicit the active role people can have when deciding to spend time on music activities.

Contribute to the composition. Complete the work.

The instrument requires a 12 volt DC power source (2.1mm tip negative) this is not supplied in the box set.

released September 27, 2019

Oscillations and Modulations 270919

oscillations_270919_free-events-poster-at-yellow-yard

Abbazappa Records & The Yellow Yard Map

Free event spanning the Friday and Saturday of the Oscillations and Modulations festival, from 1-5.30pm.

Friday Lineup and Times

1:00 PM – 2:00 PM > Ed Devane with a DIY Instrument demo and live improvisation

2:00 PM – 3:00 PM > Subfusc  is a live improvisation performance with drums, modular synths and contact mics

3:00 PM – 4:00 PM > BJC with a DIY Instrument demo and live improvisation.

Launch for new TONEBURST release.

‘bjc – Drone & Drama v2 Studies v1′.

Limited edition box set containing cassette tape & Sine Instrument.

4:00 PM – 5:30 PM > This is where anything can happen.  The table is yours (soundsystem and mixing desk provided = open jack?)